This Friday, we at Brass Chicks are feeling a bit overwhelmed. There always seems to be so much to do – and so little time to do it! Nonetheless, we (like many in the music field) do the work we do because we love it. Although the topic of this post is not as explicitly musical a subject as what we usually discuss here, these skills can be invaluable for musicians in the era of the portfolio career. The advice below might seem basic, but these steps, combined with a little discipline, can turn too many things to do into a road map to your next set of accomplishments. If you, too, are feeling the strain of juggling more responsibilities than you feel you can manage, we hope the following five tricks for handling multiple (or many) projects at once can help:
1. Make a List
This may seem obvious: we are all familiar the ubiquitous to-do list, and we all know how to make one. You probably enough lists every day that it feels like there’s nothing special about the medium. Even this post is a list! Additionally, to-do lists frequently fail and can cause stress. Nobody wants tons of uncompleted tasks hanging over her head! Continue reading →
Today’s post is written by our very own Kate Amrine. Check out her bio on her site here.
A passionate and creative performer, Kate Amrine is a prominent trumpet player balancing a multifaceted career from developing new repertoire and curating concerts to freelancing with many different groups in the New York City area. Recent performances include an off Broadway workshop of Duncan Sheik’s new musical “Alice by Heart,” an orchestra tour to Japan to perform Torelli’s “Concerto in D,” and Rite of Spring for two trumpets. Upcoming performances include several dates with new ensembles eGALitarian and Wavefield and more!
1. Be prepared
It is very important to have a strong handle on your performance before addressing any other aspects of being a successful musician and a good colleague. Have you practiced all of the music, written in any needed cues, and listened to multiple recordings when possible before your rehearsal? Are you showing up with all of the relevant mutes, pencils, and hard parts already figured out ahead of time? It is normal to want to ask the conductor or section leader a question about phrasing or something unclear in the part but often times these questions are things that could be figured out before the rehearsal over email or in person beforehand. Continue reading →
Alyssa Richards is a trumpet player hailing from Southern Pennsylvania. She was raised by two very musical parents, and her favorite childhood memory is watching her dad direct his high school marching band. Inspired by him, she decided to learn the trumpet in the fourth grade. Alyssa knew from a very young age she wanted to study music, but it wasn’t until high school she took it seriously.
Braces are any brass players worst nightmare. When I got braces as a junior in high school, I was terrified. I was angry that the one thing I loved more than anything in the world was momentarily taken away from me, and I thought that my life was basically over. I was in multiple groups as a lead player and determined not to make a fool of myself. I forced myself to get better, working until I physically could not play (which is one thing I would not recommend) just so I could regain my playing abilities again. Unlike the readers here, I had nobody who understood to help my adjustment and I had to sort through a lot of bad advice. Here are five things to help you work past the challenges braces can create.
1. Return to the basics
Anytime you go through a major transition it is important to return to those long tones and technique exercises we so often avoid. I personally practiced exercise number 47 in the Arban’s method book every single day because it helped me rebuild a foundation for my upper register. This may have worked for me,but may not work for you, so do not be afraid to experiment with different exercises until you find one that works for you. Continue reading →
Julie Passaro Krygsman is a musician and aerialist based out of the northern NJ/ NYC area. Julie has been playing trombone for over twenty years performing in various entertainment companies, orchestras, brass bands, quintets and concert bands including Imperial Brass, Music in the Air and the NJ Sackbut Ensemble.
See the end of this post to read Julie’s full-length bio.
1. The substance of art
If you’ve ever suffered from imposter syndrome you’ve asked yourself “Why am I doing this in front of people. Am I a hack?” The origin of those questions is rooted in your passion. You care so deeply that you don’t want to do poorly at your craft. Take a moment and embrace that. Continue reading →