Alia Kuhnert began playing trumpet at age ten in her home town of San Francisco, going onto major in trumpet at the San Francisco School of the Arts High School. Alia attended the Summer Brass Institute in ’12 and ’13. As a fellow she collaborated with Joseph Alessi, principal trombone of the New York Philharmonic, Øystein Baadsvik, international tuba soloist, and Thomas Hooten, principal trumpet of Los Angeles Philharmonic. Alia is a graduate of the New England Conservatory where she majored in Trumpet Performance and performed with NEC’s Philharmonia, Wind Ensembles, Opera, Jazz and Chamber Orchestras. Committed to education, Alia teaches trumpet at the Harmony Program, a program whose mission is to reach underserved communities in New York City public schools. She is the trumpet faculty at Cazadero Music Camp in California. Her principal teachers include Catherine Murtagh, Michael Sachs, principal trumpet of the Cleveland Orchestra, Ben Wright of the Boston Symphony Orchestra, Tom Siders of the Boston Symphony Orchestra, and Kevin Cobb of the American Brass Quintet. Alia is currently pursuing her MM and DMA in trumpet performance at Stony Brook University, studying with Kevin Cobb.
Month: September 2017
Five Habits Musicians Should Practice Daily – Michelle Bingheim
This week’s Five Things Friday reveals a new perspective in the Brass Chicks community – featuring a post from Michelle Bingheim, a trumpet player and music therapy student, on five habits we should all practice every day.
Michelle Bingheim is currently a senior at Western Illinois University. Michelle comes from a musical family and developed a love for music at a young age. She began her music study with piano, but the trumpet eventually won her over. Michelle continues to study trumpet and participate in ensembles while earning her degree in music therapy. She enjoys performing with a variety of ensembles and has developed a special love for playing in brass ensembles/bands. Michelle plans to become a board certified music therapist upon graduation and serve clients in a special education setting while still pursuing her love of playing trumpet. Outside of music, Michelle enjoys consuming coffee, binge-watching Netflix, spending time with her family, being active at her church, and giving back to her community.
Interview with Bella Tromba
We are so excited to continue last month’s theme of interviews with inspiring women-led ensembles and feature the London-based trumpet quartet Bella Tromba.
Bella Tromba hold a unique position in the UK’s chamber music scene, offering a pioneering performance style and a commitment to programming outstanding brass repertoire.
Bella Tromba have presented recitals at Cheltenham Music Festival, South Bank’s Purcell Room and recorded for BBC Radio. Opening night concerts at the St David’s Cathedral Festival, Cambridge Music Festival and Wymondham Abbey Music Festival were performed to sell out audiences and they have been featured on the cover of Classical Music Magazine and Brass Herald. Continue reading
Five Tips for Contemporary Chamber Music-Making: Amanda Ross
This week’s Five Things Friday is from trumpeter Amanda Ross, on her experiences with her contemporary chamber ensemble, Girlnoise. Thanks to Amanda for sharing her thoughts with us!
Girlnoise is an mixed chamber ensemble specializing in contemporary music and improvisation. Founded in 2015 in Ann Arbor, MI Girlnoise has collaborated with several local composers and musicians and has performed at UMMA, Canterbury House, and University of Michigan’s School of Music. In January 2017 Girlnoise held its first collective gathering, Meditation on Water, to help raise awareness for the Flint Water Crisis. As well as playing trumpet and arranging for Girlnoise, Amanda Ross is a doctoral student in trumpet at the University of Michigan. Continue reading
Interview with Natalie Mannix
We are so excited to continue our September theme of celebrating inspiring teachers with our interview featuring trombonist and educator, Natalie Mannix.
Natalie Mannix, principal trombonist of the Delaware Symphony, is an avid soloist, chamber musician, orchestral performer and educator. In fall of 2016 she began her current position as Assistant Professor of Trombone at the University of North Texas after teaching 8 years at Towson University in Baltimore. Previously, she was a member of the United States Navy Band in Washington, DC for over 9 years where she performed with the brass quintet, concert and ceremonial band.
She has appeared as guest artist and clinician at colleges and conferences throughout North America, including the 2016 and 2013 International Trombone Festival, the International Women’s Brass Conference, the Midwest Band and Orchestra Clinic and the American Trombone Workshop. In addition to frequent performances with the Baltimore Symphony, Natalie has performed with the National Symphony Orchestra, the Washington Opera and Kennedy Center Orchestras, the Washington Trombone Ensemble, the Monarch Brass, Stiletto Brass and several regional orchestras and brass ensembles. A new music advocate, she has commissioned several works for trombone and continues to perform and promote music by emerging composers. Continue reading
An Interview with Kristy Morrell
Kristy Morrell is a faculty member at USC’s Thornton School of Music as instructor of horn and chamber music and the chair of the department of Winds, Brass and Percussion, and at the Colburn School of Music. She has been a member of Los Angeles Chamber Orchestra since 1997, and performs frequently with the Los Angeles Philharmonic, the Los Angeles Opera, Pasadena Symphony, the Hollywood Bowl Orchestra, Pacific Symphony and New West Symphony. She is also a respected recording artist, performing on numerous motion pictures, television soundtracks and records. Kristy has a Doctor of Musical Arts degree from USC, where she also received her Master of Music, and a Bachelor of Music and Performer’s Certificate from the Eastman School of Music. (Bio adapted from music.usc.edu)
We are honored to share Dr. Morrell’s thoughtful interview responses!
Interview with Mary Bowden
Five Things To Keep in Mind as a Music Student
We are very excited to feature Bri Ihasz – a french horn student with some great things for all of us to keep in mind about music.
Bri Ihasz is currently a junior studying Horn Performance and the University of Michigan. The daughter of two musicians, Ihasz grew up surrounded by music in a small town south of Buffalo, NY. She absolutely loves the Michigan School of Music, but she’s also involved in other activities, such as being a part of the marketing team for a local independent record label and being a sister of the Gamma Phi Beta sorority. She hopes to one day move to LA and either find work playing in lab orchestras or working for record labels.
Thanks, Bri, for sharing your thoughts with the Brass Chicks community!
Denise Tryon interview
In honor of school starting up again, throughout September we will be featuring interviews with inspiring teachers of the women’s brass community. We are so excited to present Denise Tryon as our first interview of the month. Thanks again Denise for sharing your thoughts with the Brass Chicks community!
A native of Roseville, MN, Denise Tryon joined The Philadelphia Orchestra in 2009 as fourth horn. Previously the fourth horn of the Detroit Symphony (2003-2009), she has also held positions with the Baltimore (2000-2003), Columbus (1998-2000), and New World (1995-1998) Symphonies and has participated in the Colorado Music Festival and the Pacific Music Festival. An accomplished solo performer, Tryon has performed recitals in Sweden, Norway, Poland, Japan, and the United States.
“Denise Tryon’s command of the lower register provides the strongest foundation of sound for a horn section, and yet, her sound is supple and flexible.”
—Yannick Nezet-Sequin, music director of the Philadelphia Orchestra
Five Resources for Audition Season – Kate Amrine
We are approaching the beginning of the semester and the beginning of the freelancing season! I hope you have all had a great summer and are now gearing up for something exciting this year. Maybe that might include an audition! Here are five resources that might be helpful to you this year and beyond throughout your audition path – whether it is a school placement audition or your first orchestral audition.
1. Bulletproof Musician – I know this website has been mentioned before on Brass Chicks but Noa Kageyama does a great job at outlining many helpful tips related to performance anxiety, music, and mindset. This article includes tips for future auditions related to your preparation beforehand.
2. Audition Hacker – This is a great website that addresses many aspects of audition preparation – from practicing tips to concerns about what happens during the audition. Check out the articles here.
3. Crushing Classical Podcast featuring Denise Tryon – Denise Tryon (former Fourth Horn of the Philadelphia Orchestra) is a master of the low horn and orchestra auditions. This interview describes her audition path and includes several helpful tips! Denise Tryon also runs an audition workshop to help students prepare with mock auditions, masterclasses, lectures and more. Check that out also!
4. Angela Beeching’s blog. Angela’s blog is so incredibly helpful on a wide range of topics including performing, speaking, marketing, and networking. Since the earlier points in this post are more about the physical aspects of playing and how/what to prepare, I knew a post on how to boost productivity would be super helpful to make sure we all stay on track in our preparation.
5. Find out what it’s like on the other side of the table — the panel! If you know someone in the organization, you might be able to find out an extra tip or two about what they could be looking for. Set up a mock audition with friends and alternate who is on the panel taking notes. You will learn SO much from being on the other side of it. Here’s a very interesting interview featuring Maxine Kwok-Adams – 1st violinist (I know, I know…this is Brass Chicks) in the London Symphony Orchestra. This interview with Maxine describes what it is like from her point of view on the panel – everything from what they may be looking for, common mistakes, and other tips.
Happy practicing and audition preparation 🙂 Got any other good audition tips? Reach out to us on our Facebook page and let us know. We would love to hear from you!